Design Museum Brussels
Since 2015, the museum's collection, the Plastic Design Collection, circumscribes the landscape of plastics in design from the 1950s to the present day. Alongside this collection, the museum opened belgisch design belge, a permanent exhibition space dedicated to Belgian design and its history.
Enriched by a programme of temporary exhibitions, the Design Museum Brussels also explores other fields of design creation and its impact on society and our daily lives.
Through exhibitions, guided tours, workshops, conferences and events, the museum aims to ensure that design is intelligible to one and all.
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- T. +32 2 669 49 29
- Place de Belgique 1 Belgiëplein - 1020 Brussels
- https://designmuseum.brussels
- info@designmuseum.brussels
The Design Museum Brussels is a place dedicated to design and its history. Come and discover all the possibilities of design creation, in all its facets, from the 20th century to the present day. And get there by train, that's class!
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Enjoy this elegant train trip at a great price: buy your tickets for the Design Museum Brussels and get a 50% discount with the Discovery Ticket!
Buy your e-ticket at https://designmuseum.brussels/ and add a free Discovery Ticket voucher to your shopping basket.
Look out for the Discovery Ticket code on your Design Museum Brussels e-ticket: it's a 16-character code.
Order your Discovery Ticket here.
Print your Discovery Ticket or show the PDF on your smartphone screen when you check in on the train.
Enjoy your journey to Design Museum Brussels!
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Opening times
10/04/2024 - 15/09/2024: * monday, tuesday, wednesday, thursday, friday, saturday and sunday: from 11:00 to 19:00
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Price
Normal: 8,00 € - Article 27: 1,25 €
Since its founding in 1908, Olivetti has made a name for itself through the development of legendary products such as its typewriters, but also through its close relationship with the world of art. Belgian artist Jean-Michel Folon worked for Olivetti on numerous occasions over a period of almost three decades, producing posters and advertising products, as well as a number of immensely creative books and cartoons. The Olivetti · Folon exhibition, in collaboration with the Museo Civico Pier Alessandro Garda, the Associazione Archivio Storico Olivetti and the Fondation Folon, presents the rich artistic collaboration between the Italian design company Olivetti and the artist Jean-Michel Folon.
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Opening times
16/10/2024 - 09/03/2025: * monday, tuesday, wednesday, thursday, friday, saturday and sunday: from 11:00 to 19:00
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Price
Normal: 8,00 € - Article 27: 1,25 €
From the pioneers of the Bauhaus to the interior designers of space capsules, as well as the classics of design, women have shaped the field of design, and yet are often overlooked. The Here We Are! Women in Design, 1900- Today exhibition pays tribute to women designers past and present, through a large collection of furniture, ceramics, glass, textiles, fashion and graphic design. Produced by the Vitra Design Museum, this exhibition is coming to the Design Museum Brussels with the addition of a section devoted to this issue in the history of design in Belgium.
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Opening times
16/10/2024 - 13/04/2025: * monday, tuesday, wednesday, thursday, friday, saturday and sunday: from 11:00 to 19:00
Examples range from the overlooked productions of Maria Sèthe to the Belgian Art Nouveau to Hélène Denis-Bohy’s bold modern typography for her feminist pamphlets printed on the La Cambre printing press; from extraordinary Belle Époque ceramics by designers trained at Belgium’s first professional school for women to anonymous lacework in raffia made in Congolese missionary schools. The exhibition showcases the significant but under-valued creativity of women in diverse fields of crafts and design from an original, thematic approach. Through a focus on visibility, the show examines how women used design as a means of empowerment, signing their work, asserting their presence in exhibitions and making significant advancements in the field. Their work will be showcased as a testament to their resilience, innovation and creativity. Simultaneously, the exhibition addresses the challenges of invisibility faced by women designers. Their authorship was frequently obscured because of societal norms, social class, their behind-the-scenes work or within collaborative environments. This exploration will reveal instances where their contributions were overlooked, wrongly attributed or remained unrecognised, leading to a lack of knowledge of their work and its recognition. Moreover, this exhibition delves into the professionalisation of women designers, tracing their journey as they navigated educational institutions (as pupils and teachers), organisations and networks to establish themselves within professional circles. This journey highlights their determination and means to carve out a space for themselves in a predominantly male-dominated industry. Lastly, the realm of domesticity demonstrates how women, often from within and for the decoration of their homes, created their own visual and material culture and surroundings, which was in turn considered inferior or instrumentalised for moralistic purposes. They were driven by functional needs, tradition, so-called ‘virtue’ or a lack of suitable options in the commercial market. This exploration will underscore how women makers, whether as individuals or collectively, employed their ingenuity and resourcefulness to express their vision.